
Happy New Year!
From The Teachings of Silvanus: "Do not be a sausage which is full of useless things."
A Mother’s Carol
Mary's song has far more in common with The Red Flag than We Three Kings. But if it makes uncomfortable reading for the Church keen to attract people with a warm, fuzzy message at the one time of year when church attendance seems to actually increase, it is equally challenging for governments.
A few years ago, during the passage of one of the Conservative Government's immigration and asylum bills, an MP from the opposition benches rose to speak in the House of Commons. He began to relate the story of a young unmarried couple. The young girl was pregnant, and they were fleeing a despotic regime. As the story developed, it became clear that this was no ordinary family. He was talking about the Holy Family – a fact that was not lost of the then immigration minister, herself a Catholic, who grew redder by the second as the story unfolded. Then came the final blow. Under the government's proposals, that family, the MP proposed, would not be granted asylum in the UK.
Those who really understand Mary's take on the nativity will realise that Jesus's birth is not just good news for the oppressed, but a threat to all those who seek to restrict and control. It tells us that those who crusade for Christmas will end up losing the very festival they would defend.
My additional point is simply this: where then do we hear the Magnificat in the liturgy??“If you look at the manger scene, it's a place of great vulnerability – not clean, not a place of security, a borrowed shack,” says the Rev. Chip Edens, rector at Christ Episcopal Church in Charlotte. “But there's something powerful in all that. When we're vulnerable, we're more open. … Our needs become blessings and we're invited to get in touch with Christ and experience healing, strength and hope.”
All this has become real and personal to people as they see jobs vanish, homes go on the auction block, and 401(k)s plummet.
God “is saying to us, ‘These things you thought were going to take care of you? Well, they're not. But I will.'” says the Rev. Tom Stinson-Wesley, pastor of Pineville United Methodist Church. “Don't be afraid – that's God's message to us.”
Nor do I believe that the baby was laid in hay and surrounded by animals. I mean, it might have been 2000 years ago, but people understood the rudiments of hygiene even then.
What's worse. I don't believe in the innkeeper or his wife, in the cattle shed or in the shepherds bringing a lamb. What use would it be to a baby?
And to cap it all and risk accusations of atheism, I don't believe that either the baby or the little town of Bethlehem was silent.
And I don't believe these things because they are all understandable but fanciful accretions courtesy of Victorian carols, Christmas cards and school nativity plays performed for the benefit of parents' cameras. None of the things I disbelieve in appear in the Bible including the silent night. All we know about Bethlehem is that it was crowded out. People would have been drunk or partying or both.
What then are we left with? An almost single-parent mother giving birth to a boy in an alien village in occupied territory at a time when one in four women and one in three babies died at the point of birth. There was no one of importance in attendance, and the vast majority of the outside world, if surveyed, would have said that the event held no significance for them.
The risk of dying during labour, of being exposed to the elements and ignored by the public is precisely what Christmas celebrates. The presence of a God who relates to us not from the immunity of heaven but from the insecurity of earth. This is about the costliness of love, not the confection of sentiment.
copyright 2008 BBC“You’ve just got to take Jesus out into the community. You’ve got to get Jesus out of the building into the streets and that’s what I am doing.”
The small pebbles are just a couple of inches long and are left nestled in recycled hamster bedding on window ledges, benches and cash machines.
It’s for that reason that the mystery giver asks that Christians will leave the pebbles where they are so that they can be found by people who do not yet believe in Jesus.
“There are going to be people caught in a storm, lost at sea this Christmas, and they are going to be crying out to God for help. People who never in a million years thought they would be crying out to God for help are going to be crying out this year.”
He adds, “I’ve only been a Christian five years and for me to be doing this is a miracle in itself because if I can be saved anybody can be saved. This is my way of giving back. I won’t ever stop telling people what God has done for me.”Review in TLS by W.V. Harris:
Being Mary Beard is a difficult balancing act. On the one side is the unrepentant scholar, trained in Latin epigraphy in the rigorous school of Joyce Reynolds, passionately determined to get things exactly right, ready to weigh probabilities judiciously, and thoroughly informed about the contents of the latest Dutch festschrift. On the other is the ardent blogger, and the writer (and TLS Classics editor) determined to communicate with audiences larger than a Roman historian or archaeologist can normally reach.
Pompeii: The life of a Roman town combines these two personae, often triumphantly, sometimes a little uneasily. Beard’s knowledge of what has been written about Pompeii – a huge amount – is encyclopedic and up-to-the-minute. She knows, for example, who has argued (in a Dutch festschrift) that the wall painting which shows a man on horseback labelled “Spartaks” is not after all Spartacus with his name in Oscan, as some of us had fondly imagined and as I still believe. She is also capable of practising the important ars nesciendi and leaving insoluble problems unresolved, such as the meaning of the famous wall paintings in the Villa of the Mysteries, which as a historian of religion she is well qualified to write about. Pet theories are not pushed, or at least not often. Thus though the book is personal in tone, it is also a remarkably reliable resource.
This is, thank heavens, a history book and not yet another glorified piece of antiquarianism. Beard always has context. This historicizing approach can sometimes, alas, have a slightly deflating effect, when you learn, for instance, that the wall paintings at the Villa of the Mysteries, unearthed in 1909, look so splendid because they were heavily restored very early on. But the overall effect is to replace the simplifications of the coffee table books with a complex story, in which archaeologists too are human, doing their best – or what is convenient – according to their lights, in whatever age they happen to live.
In the new study, the test missed just about every cancer in the right side of the colon, where cancers are harder to detect but about 40 percent arise. And it also missed roughly a third of cancers in the left side of the colon.
Instead of preventing 90 percent of cancers, as some doctors have told patients, colonoscopies might actually prevent more like 60 percent to 70 percent."
What to do?
One solution, supported by six studies, is to be sure there is just a short time between when patients finish taking the strong laxative that cleanses their bowel and the colonoscopy, Dr. Rex said. That usually means taking half of the laxative the night before the screening test and the rest in the morning, something that often is not done, he added, but that he and others recommend.
Cancer may also be different in the right colon, researchers said.
Flat and indented polyps tend to cluster in the right colon. And so do another kind, serrated lesions, which, some studies indicate, might turn into cancer much more quickly than typical polyps.
patients should be compulsive about their bowel prep and be sure the test is done by one of the best colonoscopists in their area, gastroenterologists said. Doctors should find polyps in at least 25 percent of men and 15 percent of women. They should take at least eight minutes to withdraw an endoscope from the colon. And they should do a high volume of screening. Dr. Smith said a high volume was at least three or four colonoscopies a day.
After the test, patients can ask whether the doctor got to the right side of the colon and how that was documented.
The priest began to tell the Parable of the Talents. How a wealthy man, parting on a journey, gave five talents to one of his servants, two to another, and one to a third. And the servant with five talents invested wisely and earned another five. And the servant with two talents did the same, also doubling his money. But the third, fearful of his master, hid the talent in the ground and earned nothing.
And the first two enter “into the joy of thy lord,” but the third “wicked and slothful” servant is cast into “outer darkness.”
“Where is this parable told?” the priest asked.
A child’s hand shot up. “Saint Matthew!”
The child was right. But what of this parable in a land where there’s nothing to invest in? Was it a “free-enterprise parable,” as John Howard, the former conservative prime minister of Australia once called it, a reminder that if you are given assets you must add to them, just as if you are entrusted with the word of God, you must spread that word?
Or was it, rather, a parable about the cost of standing up to authority, of being a whistle-blower like the third servant, who calls his master a “hard man, reaping where thou hast not sown?” Was it about the courage to face down totalitarianism and its rich apparatchiks?
I wondered, but preferred mystery to answers. I’d seen America’s Guantánamo prison. I’d felt the suffering of the woman in the car. I’d left New York’s financial disaster, based on greed for redoubled assets, and found the economic ravages of Cuba’s head-in-the-ground Communism.
Yes, pity. And if this priest had the power to turn the wafer into the flesh and blood of God, and if the people gathered here believed that and were consoled, I was ready to bow my head in silence.According to Mexican lore, the Virgin appeared in December 1531 before an indigenous farmer and laborer named Juan Diego Cuautlatoatzin. The brown-skinned apparition told Juan Diego that she was the mother of Jesus and that she wanted a church on the Tepeyac Hill, the site of a former Aztec temple dedicated to the goddess Tonantzin.
Both Juan Diego and the Virgin of Guadalupe are passionately revered as holy incarnations of Mexican identity. Recognizing their evangelical significance, Pope John Paul II, who canonized Juan Diego in 2002, declared the Virgin of Guadalupe “Queen of the Americas.”
The portrait that arrived at St. Patrick’s Cathedral on Friday morning is a replica of the revered image kept at the Mexico City basilica. The portrait, about 5 feet tall and 4 feet wide, left Mexico City two months ago, and was brought by vehicle across the border, across the country and into New York, followed by pilgrims on foot and in cars.Speaking of the discovery Father Stefano De Luca who is leading the dig, said: "The mud-filled condition of the site allowed us to find these truly extraordinary objects, which were intact and sealed and still contain greasy substances.
"We think these are balms and perfumes and if chemical analysis confirms this, they could be similar to those used by Mary Magdalene in the Gospels to anoint the feet of Christ.
"The discovery of these vases is very important. We have in our hands the cosmetic products from the time of Jesus. It's very likely that the woman who anointed Christ's feet used these products, or ones similar in organic composition and quality."
A religious pioneer and predictor of change who mentored and encouraged hundreds of women in academia and the priesthood, Dr. McWilliam tallied several milestones: She was the first woman to earn a doctorate in theology from the University of Toronto's St. Michael's College; the first ordained woman to receive tenure on the divinity faculty at U of T's Trinity College; and the first Canadian woman elected president of the American Theological Society.
She was recalled as a warm, self-effacing woman, but serious about many things: teaching, her church and advancing the cause of women, both in her field and beyond. Her son, Gonzalo Duarte, recalled a T-shirt his mother bought him in 1977 bearing the words: "Men of quality are not threatened by women for equality." It was a message she carried and heeded throughout her life.
Dr. McWilliam became a deacon in the Anglican Church in 1987, the year she married Peter Slater, an Anglican priest and fellow theologian, and was ordained a priest the next year, at the age of 60. For one thing, she felt it was important for female students to have a female priest on the faculty.
An optimist, she felt the global Anglican communion will weather its spasm over homosexuality and avoid schism. She cited examples of other threats to unity - slavery and the place of women - that failed to split the church.
Health conscious before it was fashionable, she ingested plain yogurt and chicken livers for breakfast. But a regular tipple of sherry was never turned aside. Minutes after doctors informed her that her cancer was untreatable, she asked her daughter Leslie to drop by for a glass, reasoning that "there's no point allowing life to go completely to the dogs."
The galleries of the Onassis Cultural Center in New York will be transformed into evocations of ancient Greek sanctuaries, each filled with artistic masterpieces assembled from international collections, for the major exhibition Worshiping Women: Ritual and Reality in Classical Athens. On view from December 10, 2008, through May 9, 2009, the exhibition brings together 155 rare and extraordinary archaeological objects in order to re-examine preconceptions about the exclusion of women from public life in ancient Athens. The story told by these objects, and experienced in the galleries, presents a more nuanced picture than is often seen, showing how women’s participation in cults and festivals contributed not only to personal fulfillment in Classical Greece but also to civic identity.
Among the treasures being brought to New York for the exhibition are marble statues of the goddesses Artemis and Athena (National Archaeological Museum, Athens); a white-ground vase with an image of Artemis, by the Pan Painter (State Hermitage Museum, Petersburg); a red-figure vase with an image of Iphigenia, the legendary heroine worshiped as a cult figure and seen as a model for priestesses (Museo Archeologico Nazionale, Ferrara); a vase showing the Trojan priestess Theano, another model for priestesses, receiving the Greek warriors who had come to recover Helen from Troy (Vatican Museums); and a limestone grave marker (conserved with support from the Onassis Foundation) carved with the image of a young woman in bridal costume, holding a votive offering (State Museums of Berlin). Interspersed with these and other exquisite artworks are archaeological objects that document the religious practices of Classical Athens and tell the complex story of women’s roles in that society.
“If all Greek religion was about creating and maintaining a state of harmony between mortals and gods,” the curators state, “then the role of Athenian women was an integral part of that process. It was women’s essential contribution to share equally in securing and maintaining the divine favor that made Athens great.”
Worshiping Women tells this story in three main chapters. “Goddesses and Heroines” introduces the principal female deities of Athens and Attica, in whose cults and festivals women were most actively engaged: Athena, Artemis, Aphrodite, and Demeter and her daughter Persephone. This first section also investigates the role of heroines, a special group of women believed to have lived in the distant past, who like Iphigenia became important figures of cult worship after their deaths.
The second chapter, “Women and Ritual,” explores the practice of ritual acts such as dances, libations, sacrifices, processions and festivals in which women were active in classical antiquity. Here the critical role of the priestess comes to light, specifically in her function as key-bearer for the temples of the gods.
In the final chapter, “Women and the Cycle of Life,” the exhibition explores how religious rituals defined moments of transition. Because the most important transition in a girl’s life was understood to be marriage, the wedding took on great significance, with its rituals depicted on a variety of vases associated with nuptial rites and wedding banquets. Death was another occasion on which Athenian women took on major responsibilities, such as preparing the deceased for burial and tending the graves of family members.
The Curators
Dr. Nikolaos Kaltsas is the director of the National Archaeological Museum of Greece and the author of a prize-winning book, Sculpture in the National Archaeological Museum, Athens (2002), as well as many other widely published archeological studies. Dr. Kaltsas is a member of the Central Council of Museums, the Central Council of Modern and Contemporary Monuments, and the Committee for the Conservation of the Temple of Apollo Epikourios.
Dr. Alan Shapiro, the W.H. Collins Vickers Professor of Archaeology at Johns Hopkins University, has a particular interest in Greek art, myth, and religion in the Archaic and Classical periods, especially in the interrelationships among art, religion, and politics. He is an authority on vase iconography and has written numerous studies, including Personifications in Greek Art (1993) and Myth into Art: Poet and Painter in Classical Greece (1994). In addition, he is the co-author of Women in the Classical World (1994).
Alexander S. Onassis Public Benefit Foundation (USA)
645 Fifth Avenue, Suite 304
New York, NY 10022
One of the finest and most celebrated early Christian Gospel fragments, perhaps the oldest or possibly second oldest surviving witness to this part of the text of the Gospel of John, in its original language
Provenance
Written almost certainly in Alexandria, and used in the important early Christian community at Oxyrhynchus, in the desert west of the Nile about 120 miles from Cairo, partly covered now by the modern village of Behnesa. Ancient Oxyrhynchus was principally discovered Bernard Grenfell (1869-1926) and Arthur Hunt (1871-1934), both of Queen's College, Oxford, who devoted their lives to excavating it. The site furnished many of the finest and most precious records of early Christianity ever found, including the sensational 'Sayings of Jesus' (later known as the 'Gospel of Thomas'), as well as notable classical texts, including Pindar and Menander. The present fragment was recovered by Grenfell and Hunt on 28 September 1922, and it was classified as P. Oxy. 1780. Most of the Oxyrhynchus finds are now in the Ashmolean Museum, Oxford, and the British Museum. Some specimen pieces, however, were transferred by Oxford University to appropriate theological seminaries and colleges elsewhere, including the present piece which had been given by 1924 to the Baptist college, Crozer Theological Seminary, founded near Chester, Pennsylvania, in 1865. It was later the alma mater of Martin Luther King. In 1980 Crozer merged with the ecumenical Colgate Theological Seminary in Rochester, New York. The present manuscript was Inv. 8864 in the Ambrose Swasey Library in the combined Colgate Rochester Crozer Divinity School, until their sale in our New York rooms, 20 June 2003, lot 97, $400,000, bought then by the present owner for what is still by far the highest price ever paid at public sale for any early Christian manuscript. Since 2004 it has toured American museums in the exhibitions Dead Sea Scrolls to the Forbidden Book and Ink and Blood, where it has been seen by hundred of thousands of people.
Such a date, if right, brings the fragment almost as far back as any extant substantial records of Christianity survive. It is less than 170 years from the Crucifixion. In theory, an extremely old person in 200 could as a child have known someone who at the beginning of his or her own long life might have met Jesus himself. Christianity was illegal in the Roman empire, practised in secret and in the catacombs, until the fourth century. When it was excavated at Oxyrhynchus the present fragment was by far the earliest manuscript of any part of Saint John's Gospel then known. Around 1952 the manuscript now Papyrus Bodmer II was discovered in Egypt, P66, also datable to around 200 A.D. overlapping with the text of the present fragment. Papyrus Bodmer III, P75, found at the same time, includes large portions of John's Gospel and is ascribed too to within the third century. Apart from these two, however, no other papyrus or vellum fragment includes any part of John chapter 8, and the next earliest witness to this passage is the Codex Sinaiticus itself, generally assigned to the fourth century. If the date of about 200 A.D. is sustainable, the present piece is one of the two oldest witnesses to the text; if it is cautiously dated to the third century, it is the second or third oldest known manuscript.
The fragment has John 8:14-18 on the recto and John 8:19-22 on the verso, with the account of Jesus preaching in the Temple. The people challenge his right to give evidence on his own behalf, rather than with the testimony of two witnesses, as required by the Jewish law. He replied, " 'I testify on my own behalf, and the Father who sent me testifies on my behalf'. And they said to him, 'Where is your Father?' Jesus answered, 'You know neither me nor my Father. If you knew me, you would know my Father also'" (verses 18-19). It includes the cryptic and prophetical verse 21, "Where I am going you cannot come".
The Gospel text preserved here is extremely pure, graded by Aland as category 1 among New Testament sources, a "strict" text (Text of the N.T., 1989, p.98); "the papyrus evidently agreed with the best manuscripts" (Grenfell and Hunt, 1922, p.8, n.43). The text is consistent word for word with the readings of the fourth-century Codex Vaticanus, probably also from Alexandria. The present fragment is used for its textual value in all modern critical editions of the Greek Gospels, including those of 1951, 1959, 1979 and 2004.
Among excavated fragments, the piece is of substantial size. The script is a superb and spacious Greek uncial, the script especially associated with the earliest Bibles. The writing is as fine as in any early manuscript. "The large and beautiful calligraphy shows that this manuscript was probably produced by a professional scribe for church use" (Comfort and Barrett, 1999, p. 137). The leaf was clearly from a codex, one of the oldest known, and it was evidently paginated (not foliated) by the original scribe, for it has the Greek number "ÏÄ", '74', at the top of the verso, one of the earliest of all books with contemporary pagination. It is not possible to tell whether or not the recto was also paginated, since that side of the piece is missing. Pagination, which is very rare in early codices, suggests that the volume was to be consulted at specific passages rather than read as a consecutive narrative, which is necessarily the case with scrolls. Comfort (2005, pp. 353-4) makes interesting calculations by working backwards from the page number. He notes that the scribe evidently wrote 330 characters on p. 73 and 333 on p. 74. He then counts 23,796 characters from John 8:14 back to John 1:1 at the start of the Gospel. 23,796 divided by 333 is almost exactly 71½ pages. This would not allow enough space for inclusion of the disputed passage of the Woman taken in Adultery (John 7:53-8:11), which cannot have been present. It also shows, more obviously and unambiguously, that this was from a one-volume Gospel of John.
The seminary has about 200 students, most of whom are studying to become Episcopal priests. About five years ago, it commissioned a study on its physical plant, which was expensive to heat and impossible to cool.
“We wanted to come into the 21st century,” Ms. Burnley said. “We skipped the 20th century altogether. Thomas Edison himself wired this campus. We’ve got Edison Electric plaques all over the place.”From the introduction to Jo Marchant's "Decoding the Heavens":
In 1900 a group of sponge divers blown off course in the Mediterranean discovered an Ancient Greek shipwreck dating from around 70 BC.
Lying unnoticed for months amongst their hard-won haul was what appeared to be a formless lump of corroded rock. It turned out to be the most stunning scientific artefact we have from antiquity. For more than a century this 'Antikythera mechanism' puzzled academics. It was ancient clockwork, unmatched in complexity for 1000 years - but who could have made it, and what was it for?
Now, more than 2000 years after the device was lost at sea, scientists have pieced together its intricate workings and revealed its secrets. The Antikythera Mechanism is an ancient Greek artefact comprising more than 30 precisely cut bronze gear wheels, dials and pointers held in a wooden case. It was probably one among many luxury gadgets for the educated Greek and Roman elite — the only example of its kind to survive. "The Antikythera Mechanism," Marchant concludes, "was originally meant as a celebration of the heavens."
Silence resists attempts to explain it. Indeed, ineffability is one of the key tests of mystical experience. I might even say that the "best" hermits are those who have least to say about it. The only thing Tenzin Palmo, a British Buddhist nun who spent three years high in the Himalayas in radical silence, seems ever to have said - at least publicly - about her personal experience is, "Well, it wasn't boring."
When, in 2005, he developed myeloma, he joked that, as a driven man, he was attracted to the idea of eternal rest. Fred never lost his values and vision in the daily grind of bureaucracy or the wielding of power.
In later years, he referred to his deep Christian faith as "public orthodoxy, private heresy". He said that it had grown more minimalist but more profound. He was strongly attached to the ecumenical Iona community. He could be serious but was never pompous. When he said: "I had an aspiration to righteousness, but my appetites kept getting in the way," he spoke the truth, but did so with his characteristic bellowing laugh.
On retirement in 1993 Fred proudly announced that he would be following "a portfolio career". This did not involve the lucrative consultancies and appointments to quangos that so many of his fellows collect. He became a full-time voluntary worker, a new career that encompassed the environment, religion and social justice. He gained a qualification in ecology and a national newspaper recently named him one of the UK's most influential environmentalists.Matyas Seiber: Divertimento for clarinet and string quartet
Franz Reizenstein: Piano Quintet in D Major, Op. 33*
(* US Premiere)
Last night was Mieczyslaw Weinberg: Sonata for clarinet and piano, Op. 28
Songs for Bass (North American Premiere)
Quintet for piano and strings, Op. 18
Performed by Artists of the Royal Conservatory in Canada and Robert Pomakov, bassIn the opening paragraphs of Marilynne Robinson's 2004 Pulitzer Prize-winning novel Gilead, the elderly narrator John Ames, a Congregationalist minister in the small Iowa town of Gilead, tells his young son:
I don't know how many times people have asked me what death is like.... I used to say it was like going home. We have no home in this world, I used to say....
He goes on to explain that this was an analogy born of what he elsewhere refers to as his "dark time, as I call it, the time of my loneliness, [which] was most of my life": "I didn't feel very much at home in the world, that was a fact. Now I do."
The joy in Ames's later years -- born of his union with the much younger and rather mysterious Lila, and of the birth of their son, Robby, to whom Gilead is addressed—has been, for him, transformative. But his -- or his creator's -- decision to link death and home so decidedly, and so early, is telling. The opening words of Robinson's new novel, Home, are Robert Boughton's: he, Ames's lifelong friend and fellow minister (Presbyterian rather than Congregationalist), is speaking to his daughter, Glory: "Home to stay, Glory! Yes!"; and Glory's response, albeit unspoken, is "Dear God...dear God in heaven." If death is like coming home, then, too, coming home can be like death.
Home is a companion piece to Gilead, an account of the same time (the summer of 1956), in the same place (Gilead, Iowa), with the same cast of characters as the earlier novel. Each book is strengthened and deepened by a reading of the other. It is tempting, indeed, to liken them to the gospels, dovetailing versions of the same epiphanic experiences, each with its particular revelations, omissions, and emphases; except that instead of telling the stories of Christ, Robinson's novels tell those of the all-too-human antihero, the struggling prodigal son, Jack Boughton.
Any story, Robinson reminds us, is many stories; and, as John Ames reflects in Gilead :
In every important way we are such secrets from each other, and I do believe that there is a separate language in each of us, also a separate aesthetics and a separate jurisprudence. Every single one of us is a little civilization built on the ruins of any number of preceding civilizations, but with our own variant notions of what is beautiful and what is acceptable—which, I hasten to add, we generally do not satisfy and by which we struggle to live.
The two books, different in their form and approach as well as in the details they reveal and the stories they ultimately tell, are an enactment of Ames's tenet, and, metonymically, an enactment of humanity's broader dance of ever-attempted, ever-failing communication—through a glass darkly.
She concludes:— Quotes from church services on the first Sunday following the election of Barack Obama.
"I imagine that all of us are, like John McCain, intensely pleased at the milestone our nation passed last week: We elected a president who happened to be an African-American. The long arc of history swings toward justice and human goodness after all. It's good for the heart." — The Rev. Christine Robinson, First Unitarian Church in Albuquerque, N.M.
"Now, I don't want you to be like some of the others, because they're going to expect him to bring about change overnight. We didn't get in this mess overnight." — The Rev. Shirley Caesar-Williams, Mount Calvary Word of Faith Church in Raleigh, N.C.
"There's nothing funny about what this young man has to face," Louis Farrakhan said to a crowd of about 2,500 Nation of Islam members. "This man not only needs our protection and divine protection, he needs all of us . . . to ask, 'What can I do to make him a successful president?' "
If we are to learn anything from Kristallnacht it is a reminder to us all of where unchecked racism and intolerance can lead and underscores our responsibility as human beings to ensure that such evil is always confronted whenever and wherever it occurs. The Holocaust did not begin with the gas chambers at Auschwitz, it did not even begin with Kristallnacht – it began with words and was reacted to with silence. The extermination of European Jewry took place at the end of a long road, a long history marked by centuries of age-old antisemitism and prejudice dating back to the middle ages and most significantly it was a long road marked by indifference. Nor was the Holocaust a mere symptom of the time; the era. As we have seen repeatedly in the years that have followed the Holocaust genocide and atrocities have plagued every corner of the globe and continue to do so.
We cannot and must not consign the terror and cruelty of that night to our history books or fool ourselves into believing that it was a history belonging to a different era. To remove ourselves in this way is to remove our own responsibility in fighting racism and intolerance today.
Here's a link to a Kristallnacht survivor talk. Today, I went to a synagogue to hear a friend give a D'var Torah. Then this evening I went with a friend to see "One Day You'll Understand."
How we enter into the silencing of others' voices to witness to what has not been heard individually and collectively is the topic of Flora Keshgegian's book, Redeeming Memories, A Theology of Healing and Transformation. She writes:
The silence that enshrouds the memories of those abused, persecuted and oppressed is not accidental or chosen; it is a silencing by a world with designs to exclude. These threatened memories and peoples are in actuality themselves threats to sociopolitical narratives which reflect and produce particular arrangements of power, serving certain interests. "Truth" is politically produced through the shaping of meaning. The "word" which we know begins as an empty sign, malleable to the play of power in the world. Attending to the silence includes being attuned to silencing that results from oppression or denial. It requires a critical consciousness of such dynamics and forces, a sharpening of the ear to hear those sounds not found in the scales we have practiced. These sounds will lead to more complex understandings of word and world….
The Associated Press declared Obama the winner Thursday after canvassing counties in North Carolina to determine the number of outstanding provisional ballots.
That survey found that there are not enough remaining ballots for Republican John McCain to close a 13,693-vote deficit.
Edited by Canon Andrew Wright. To be published in July 2025 https://www.churchpublishing.org/planningforritesandritualsyeara