The 
White Light Festival at Lincoln Center is well underway. Tickets are still available for tomorrow night's Collegium Vocale Ghent concert of: 
BRAHMS: Warum ist das Licht gegeben; Begräbnisgesang; SCHUBERT (arr.  Verhaert): Andante, from String Quartet in D minor (“Death and the  Maiden”); CORNELIUS: Requiem “Seele, vergiß sie nicht”; BRUCKNER: Mass  in E minor
Amongst the free events are: 
October  28-November 13: Canadian visual artist Janet Cardiff's The Forty-Part  Motet, a re-working of 16th century British composer Thomas Tallis' Spem  in alium nuquam habui, comprises 40 separately recorded voices (the  Salisbury Cathedral Choir) played back through 40 speakers that are  strategically placed throughout the space. Depending on where visitors  stand in the installation, they might hear one single voice, several in  harmony, all 40, or nothing at all. The Forty-Part Motet will be  installed in the Agnes Varis and Karl Leichtman Rehearsal and Recording  Studio, Frederick P. Rose Hall (Jazz at Lincoln Center), 60th Street and  Broadway.  FREE. Opening reception October 28, 6:30 - 8 PM; open  October 29 through November 13, noon until 8 PM and until the end of the  performances in the Rose Theater on November 2, 3 and 4.
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