Monday, October 07, 2013

Professor Kate Cooper, talk and book discussion of Band Of Angels, Monday November 18th at GTS


Kate Cooper, professor at the University of Manchester, is the author of a new book on women in early Christianity: Band of Angels http://atlantic-books.co.uk/content/band-angels


And by Lucy Winckett, Rector of St James, Piccadilly: http://www.newstatesman.com/2013/08/right-hand-maids-christ

Kate, the author, says:
One of my motivations in writing the book was to put something into the hands of pastoral colleagues/educators that gets the question about early women away from 'ordination' and into a 'lived religion' territory that is more directly useful to the majority of women who are of course in the laity! It was difficult (but really interesting) to try to frame it that way without losing the scholarly gravitas. So I would love to have a chance to talk to women who are involved in, or preparing for, pastoral work!

She's coming to GTS (440 West 21st Street) on Monday Nov 18th. The event is in Seabury in the Close and 21st street rooms with a reception at 6pm and talk/conversation at 6.30pm: booksigning to follow.

Sunday, September 29, 2013

How To Do Things With Fictions by Joshua Landy (OUP 2012)


"Let the reader understand!" Landy argues that reading literature like Jesus' parables in Mark's Gospel is not so much about gaining insight and moral improvement but to train the reader or listener. To be trained to this level, one much look beyond propositional content. The right reaction to parables is not interpretation but the production of figurative content.    
The Guardian review of Joshua Landy's splendid book by Stephen Abell says that: 
Landy is at his best as a close reader when he is examining Mark's gospel, or discussing "the cosmic magnitude" of Mallarmé's "ses purs ongles" sonnet.
The reading of Mark focuses on the Parable of the Sower (in which the metaphor of sowing seeds is used to explain why religious messages do not always flourish: some fall on fertile ground, some on rocky etc). Landy seeks to explain why Jesus actually admits – in a famously disputed passage – that he does not want to convert everybody who listens to him: "for those outside, everything is in parables; so that they may indeed see but not perceive, and may indeed hear but not understand; lest they should turn again, and be forgiven".
This is gripping stuff, for believer and atheist alike. Why would Jesus, of all people, not want sinners to be forgiven? Landy's answer is that the understanding of metaphorical language is essential to faith itself: if one cannot move from the visible to the symbolic, then one can never comprehend God. Jesus uses non-inclusive language because he only wants those with the capacity for genuine belief to follow him. As Landy triumphantly concludes: "the Sower is a meta-parable, a parable about parables, a parable that only indirectly concerns the kingdom of God, being focused, rather, on the ability to handle figurative language".
When we read the parable, then, it is the very experience of reading that is crucial. That is why it is used to support Landy's theory about the self-consciousness of fiction. Elsewhere, we are readily convinced that Chaucer is parodying didacticism in "The Nun's Priest's Tale" and Plato is undermining Socrates by giving him weak arguments so that the reader will learn about the perils of flawed thinking. The quondam impenetrable poetry of Mallarmé is characterised wonderfully as "training in the two skills that make life bearable: generating fictions, and persuading ourselves that they are true".

Tuesday, September 17, 2013

Heavenly Rest: Scripture Studies-- Wednesday September 18th from 7-8pm

This coming Wednesday I will be beginning a course in Scripture Studies and the reception history of the Bible. Anyone in and around NYC is welcome. Come one, come all!

Amongst other things, we'll be reading NT texts, listening to music connected to biblical texts and discussing art connected to Christian themes and biblical texts. We'll be looking at the Anastasis panel from Chora Church in Istanbul (Kariye MüzesiKariye Camii, or Kariye Kilisesi — the Chora Museum, Mosque or Church

Sunday, September 08, 2013

Sophia, the Logos of God fresco in S. Stefano, Soleto, Italy

Over twenty years ago, I went on my first sabbatical to Apulia (Italian: Puglia) in Italy to look at late Byzantine frescoes. True, it is not what you might expect from an NT scholar but I was in search of images of Jesus as Sophia in Byzantine tradition. Some exist in abandoned churches, others do not. I presented the results of my research on a specific fresco with the Greek inscription "Sophia, the Logos of God" to a Byzantine Studies conference once I was back in the NE, only to be told that what I had shown was "an anomaly in Byzantine thought." End of discussion? Until now.

Here's a wonderful new 360 degree view of the XIV Century frescoes of that church in Soleto. In the  Apse of the east end is the image of Sophia with the Greek inscription above. A specific study of that church has been published (2010). All being well, I will be able to publish a discussion of the frescoes and this particular image within a year or so. I am arguing that ignoring such frescoes or relegating them to a category of "late Byzantine" or even "non-Byzantine" creates unhelpful categories of what is normative (art and architecture in Constantinople?). Byzantine art in Salento is a transformation of Greco-Roman and Byzantine art with regional features. 

Tuesday, August 20, 2013

R.S. Thomas + Evensong 12.00-5.00pm September 21st At All Saints Princeton,NJ


“ANGLICAN WORDS AND MUSIC:
CELEBRATING R. S. THOMAS (1913-2000), PRIEST AND POET”

Picture

All Saints' South Room
12 noon           Light Lunch

12:30 - 1:45     
Gordon Graham: 'The Anglican Tradition of Poetry', and overview with readings from the great Anglican poets, and
                        recordings of R. S. Thomas reading his poems

1:45 - 2:30       Conversations on poetry, facitiltated by Elly Sparks Brown  

2:30 - 2:45       Coffee break

2:45 - 3:45       John McEllhenny: 'R. S. Thomas as I knew him'

3:30 - 4:15       Jane Brady: Reflection on Thomas and his poetry

   
All Saints' Sanctuary

4:30 - 5:30         Choral Evensong, All Saints Choir, Director Tom Colao
                                 Introit
                                 Versicles and Responses
                                 Psalm
                                 Canticles
                                 Anthem: 
Paul Mealor  'Anthem for St. David of Wales' (World premier)
                                 Homily

5:30                   Wine reception


PARTICIPANTS

Jane T. Brady        
Jane T. Brady’s encounter with the writing of R.S. Thomas began during a month at Gladstone’s Library in Wales (Great Britain’s only prime ministerial library). In subsequent trips, she has visited three of the churches where R.S. Thomas served and engaged in conversations with people who knew him. Brady is a graduate of the University of Pennsylvania (B.A. in history) and Princeton Theological Seminary (M.Div. & Th.M.). Since 2007, she has served as Rector of Grace Episcopal Church, Pemberton NJ. Her prior career with the NJ Audubon Society has given her insight into R.S. Thomas’s love of birds and sense of place. 

Elly Sparks Brown
Elly Sparks Brown is the former rector of historic  Trinity Parish in Southern Maryland, the Diocese of Washington, D.C.  She has also taught in the Literature Department of The American  University in D.C. and the honors program at The University of Maryland, College Park, MD. Elly holds a M.Div. from Virginia Theological Seminary,  Alexandra, VA, a M.A. in English from The Catholic University of  America, D.C., and a B.A. in English from Seton Hill University,  Greensburg, PA., and earned an interdisciplinary Doctor of Ministry degree in theology, literature and visual art at Wesley Theological Seminary in  D.C in 1991.  She later served the Seminary for three years under a Luce grant  as Administrative Director of the Center for the Arts and Religion. She  is passionately interested in the relationship between the arts and  spirituality. Currently Vicar of Christ Church in Palmyra, NJ and visiting Professor of English at Rider University, she also leads adult forums, retreats and quiet days around the arts and spirituality .
Tom ColaoTom Colao has been Director of Music at All Saints' Episcopal Church Princeton since in 2010. He attended the Mannes College of Music in Manhattan, studying voice and choral conducting, before transferring to Westminster Choir College to pursue studies in organ and sacred music. While at Westminster, he sang as a member of Westminster Choir in addition to performances with the Choir as both a tenor and organ soloist. Prior to coming to All Saints’, Tom was Director of Music and Organist at St. James’ Church, Long Branch, NJ, where he conducted a professional choir and provided organ accompaniment for choral services on the church’s vintage three-manual pipe organ, and initiated the “Music at St. James” concert series. He maintains an active schedule as an accompanist, vocal coach, freelance conductor and recitalist, and has composed several liturgical and concert works for choir.
Gordon GrahamGordon Graham is Henry Luce II Professor of Philosophy and the Arts at Princeton Theological Seminary and an Anglican Priest. He has published extensively on the subject of religion and the arts, and his books include Philosophy of the Arts (Routledge, third edition 2005) and The Re-enchantment of the World: art versus religion (Oxford UP 2007, pb 2010). He has published plays and anthems on Christian themes, and is a regular columnist the Episcopal Journal.
John McElhennnyJohn G. McEllhenney is a graduate of Franklin and Marshall College and the Theological School of Drew University, and has an honorary doctor of divinity degree from Albright College. A United Methodist pastor, he started to read the poetry of R. S. Thomas in the early 1970s. A decade later, he began gathering first and limited editions of Thomas’s works, along with periodicals containing his poems and secondary sources. McEllhenney’s Thomas collection is now part of the Special Collections of Drew University’s Library;an online catalog is accessible. McEllhenney visited Thomas in Wales in 1992, 1993, and 1994, and corresponded with him from 1991 until Thomas died, in 2000. He drew upon those personal contacts and his study of Thomas’s poems to write A Masterwork of Doubting-Belief: R. S. Thomas and His Poetry, which was published by Wipf & Stock in February 2013.

Wednesday, August 14, 2013

STEP, a new free Bible Study Resource (beta version)


Tyndale House Cambridge Launches Beta-version of Scripture Tools for Every Person (STEP), a new free Bible study resource.
24 July  2013, CAMBRIDGE, UK
Today the STEP development team of Tyndale House Cambridge launched the Beta-test version of a new free Bible study resource at www.StepBible.org.
STEP software is designed especially for teachers and preachers who don’t have access to resources such as Tyndale House Library, which specialises in the biblical text, interpretation, languages and biblical historical background and is a leading research institution for Biblical Studies.
The web-based program, which will soon also be downloadable for PCs and Macs, will aid users who lack resources, or who have to rely only on smartphones or outmoded computers.
About STEP
The project began when STEP director Dr David Instone-Brewer created the Tyndale Toolbarfor his own use. It became popular among researchers at Tyndale House and is now used by thousands of people across the globe. The Beta launch of STEP invites users to try out the new tools and give suggestions for improvement.
"STEP represents the most comprehensive yet user friendly tool for Bible Study I have seen in over 35 years of research," said Dr Wesley B. Rose. Tim Bulkeley, a contributor to the project, said "I wish I was just starting to teach in Kinshasa now, with STEP and a smart phone. Students would find learning Hebrew and Greek, to read the Bible directly, so much easier."
Almost a hundred volunteers worldwide have contributed to this work, including 75 who helped to align the ESV, used with the kind permission of Crossway, with the underlying Greek and Hebrew. All their work will now be freely available for other software projects. There are many exciting features in the pipeline for others to get involved with.
Try it out at www.StepBible.org.

Wednesday, July 24, 2013

How to be in the presence of Jesus

is the title of a piece I wrote for Daily Episcopalian published today. It was a sermon preached at Trinity Episcopal Church, Castine, Maine this past Sunday July 21st, 2013. 

Thursday, July 11, 2013

Margalit Fox on Alice Kober and the decipherment of Linear B

In The Riddle of the Labyrinth by Margalit Fox (Ecco, 2013), the work of Alice Kober in deciphering Linear B is described. Margalit Fox is a senior staff writer for the NY Times. Her book is summarized here in the Daily Telegraph. Matti Friedman in the NY Times reviewed the book recently here and part of the review states:


Ms. Fox makes a case for Kober, the “unprepossessing” daughter of Hungarian immigrants, as the story’s hero. Her thick glasses, unstylish hair and prim mouth belied the “snap and rigor of her mind, the ferocity of her determination, and the unimpeachable rationality of her method,” Ms. Fox writes. Kober dedicated her life to solving the riddle, laboring at her dining table in Brooklyn, “ever-present cigarette at hand.” She never married, and her extensive correspondence, we learn, contains a total of two mentions of a social life.
There was hardly time. To aid her quest, she learned Chinese, Akkadian, Persian, Hittite and Basque, among other tongues, and eventually prepared no fewer than 180,000 index cards as she struggled to develop a system that would allow her to crack what Ms. Fox calls a “locked-room mystery” — deciphering an unknown script that an unknown society used to write an unknown language. A Linear B scholar was operating in a “linguistic terra incognita with neither map nor compass at hand.” Without a guide like the Rosetta stone (the multilingual inscription that finally allowed scholars to decode Egyptian hieroglyphs) the task was thought to be all but impossible.
That it turned out not to be is a testament to what the human brain, or at least the rare human brain, is capable of. In explaining the problem and eventual solution, Ms. Fox makes the complexities of linguistic scholarship accessible...
Margalit Fox describes her book as a six year project here. She maintains that Kober's work was "all but lost" and that her book is an antidote to "British male triumphalism." However, Fox's book is also reviewed by Jonathan Lopez in the WSJ on May 16th more critically: 
Unfortunately, Ms. Fox's claims about the neglect of Kober's legacy are exaggerated to the point of being misleading. "The Story of Archaeological Decipherment" (1975), by the British classicist Maurice Pope, is an authoritative survey of hieroglyphics, cuneiform and other ancient scripts decoded by modern researchers. Chapter Nine is devoted to the Knossos tablets and is titled "Kober, Ventris and Linear B"—amply demonstrating that Kober is neither unknown nor unsung in the standard histories. The very first (and still the best) book on the subject, "The Decipherment of Linear B" (1958), by Michael Ventris's friend and collaborator, the Cambridge University classics professor John Chadwick—Ventris himself died in an auto accident in 1956—clearly states that "Kober would have taken a leading part in the events of later years, had she been spared; she alone of the earlier investigators was pursuing the track which led Ventris ultimately to the solution of the problem."
You decide.

Tuesday, June 25, 2013

Pompeii in peril

The BBC reports on the perilous state of Pompeii, a World Heritage site, including recent collapses at the House of the Gladiators due to heavy rain. 

Same-sex desire & gender identity at the British Museum

Under "topics to explore" is "Same-Sex desire & gender identity" on the British Museum website. If you are around, there's a lecture on June 28th:


Lecture
A little gay history

Friday 28 June,
18.30–19.30
Stevenson Lecture Theatre
Tickets £5
Members/Concessions £3
Phone +44 (0)20 7323 8181
Ticket Desk in Great Court

Recommend this event

Richard Parkinson, British Museum, discusses a recently published British Museum project on the history of same-sex desire.
The talk will explore issues raised by objects in the collection, ranging from ancient Egyptian papyri to modern gay love scenes filmed in the Museum, to ask a question that concerns us all: how easily can we recognise love in history?
In collaboration with Write Queer London.

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